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1800s Ford Madox BROWN SIGNED Engraving "The Migration to Australia" Framed COA

Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Ford Madox Brown (British, 1821 - 1893) Title: The Last of England Medium: Antique engraving on wove paper after the original oil on panel by master engraver Herbert Bourne (British, c. 1825-1907). Year: 1870 Signature: Signed in the plate. Condition: Excellent Dimensions: Image Size 8 3/8 x 9 inches Framed dimensions: Approximately 17 x 18 inches. Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more than 150 years old. The strike is crisp and the lines are sharp. The original oil on panel is housed in the Birmingham Museum and Art Gallery. Extra Information: Self-portrait of Ford Madox Brown with his partner Emma, posing as a couple migrating to Australia, sitting at the edge of a ship, three-quarter length, facing front, holding hands, their baby Oliver in Emma's arm under her shawl with only his hand visible, another child of theirs Cathy in the left background among other passengers, a cliff on the horizon; in a roundel. The original painting depicts a man and his wife seeing England for the last time. The two main figures, based on Brown and his wife, Emma, stare ahead, stony-faced, ignoring the white cliffs of Dover which can be seen disappearing behind them in the top right of the picture. They are huddled under an umbrella that glistens with sea-spray. The family's clothing and the bundle of books next to them indicate that they are middle class and educated, and so they are not leaving for the reasons that would force the emigration of the working classes; Brown's writing touched on the same theme: The educated are bound to their country by quite other ties than the illiterate man, whose chief consideration is food and physical comfort. In the foreground a row of cabbages hang from the ship's rail, provisions for the long voyage. In the background are other passengers, including a pair of drunken men, one of whom was conceived by Brown as "shaking his fist and cursing the land of his birth". Also present are "an honest family of the green-grocer kind, father (mother lost), eldest daughter and younger children". The father is barely visible except for the pipe he holds; his daughter has her arm around a curly-haired boy. The fair-haired child eating an apple behind the man's shoulder was modeled on Brown and Emma's child, Catherine, who was born in 1850. The baby concealed under the cloak of the woman in the foreground, and whose hand she is clasping, is supposedly their second child, Oliver. In order to mirror the harsh conditions in the painting Brown worked mostly outside in his garden, and was happy when the weather was poor – he recorded his feelings of delight when the cold turned his hand blue, as this was how he wanted it to appear in the painting. He was seen as strange by his neighbours who saw him out in all kinds of weather. He composed a short verse to accompany the painting in which the woman is depicted as hopeful for the future: She grips his listless hand and clasps her child,Through rainbow tears she sees a sunnier gleam,She cannot see a void where he will be. Artist Biography: Ford Madox Brown was an English painter of moral and historical subjects, notable for his distinctively graphic and often Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was Work (1852–1865). Brown spent the latter years of his life painting the Manchester Murals, depicting Mancunian history, for Manchester Town Hall. Brown was the grandson of the medical theorist John Brown, founder of the Brunonian system of medicine. His great grandfather was a Scottish labourer. His father Ford Brown served as a purser in the Royal Navy, including a period serving under Sir Isaac Coffin and a period on HMS Arethusa. He left the Navy after the end of the Napoleonic Wars. In 1818, Ford Brown married Caroline Madox, of an old Kentish family, from which his middle name was taken. Brown's parents had limited financial resources, and they moved to Calais to seek cheaper lodgings, where their daughter Elizabeth Coffin was born in 1819 and their son Ford Madox Brown in 1821. Brown's education was limited, as the family frequently moved between lodgings in the Pas-de-Calais and relatives in Kent, but he showed artistic talent in copying of old master prints. His father initially sought a naval career for his son, writing to his former captain Sir Isaac Coffin. The family moved to Bruges in 1835 so Brown could study at the academy under Albert Gregorius. Brown moved to Ghent in 1836 to continue his studies under Pieter van Hanselaere. He moved to Antwerp in 1837 to study under Gustaf Wappers. He continued to study in Antwerp after his mother's death in 1839. His sister died in 1840, and then his father in 1842. Ford Madox Brown was married twice. His first wife Elizabeth Bromley was his first cousin, the daughter of his mother's sister Mary. They were married in Meopham in Kent in April 1841, shortly before his 20th birthday and less than a year after the sudden death of his sister Elizabeth. They lived in Montmartre in 1841 with Brown's invalid father who died the following summer. Their first child died young as an infant in November 1842. Their daughter Emma Lucy was born in 1843 and the family moved back to England in 1844. They travelled to Rome in 1845 to alleviate the illness of his wife, who was suffering from consumption (pulmonary tuberculosis). She died in Paris in June 1846, aged 27, on the journey back to England from Rome. Emma Hill became a frequent model for Brown from 1848; for example, she is the wife in The Last of England. She became his mistress, and they shared a house in London, but social convention made him unable to marry an illiterate daughter of a bricklayer. Their daughter Catherine Emily was born in 1850, and eventually they were married at St Dunstan-in-the-West in April 1853. Their son, Oliver Madox Brown (1855–1874) (known as Nolly) showed promise both as an artist and poet, but died of blood poisoning before his maturity. The death of Nolly was a crushing blow for Brown, and he kept a room for his son's belongings as a shrine. Another son Arthur was born in September 1856. Brown used Arthur as the model for the baby held by a ragged girl in the foreground of Work, but he died aged only ten months old in July 1857. Pretty Baa-Lambs. Browns mistress Emma and second daughter Cathy in 1851 His daughters Lucy and Catherine were also competent artists. Lucy married William Michael Rossetti in 1874. Catherine, married Francis Hueffer; through Catherine, Brown was the grandfather of novelist Ford Madox Ford and great-grandfather of Labour Home Secretary Frank Soskice. Brown's second wife died in October 1890, and he died in Primrose Hill in 1893. He is buried in the St Pancras and Islington Cemetery in East Finchley, close to Muswell Hill. He was given a secular funeral, and the funeral oration was delivered by the American Moncure D. Conway, the secularist after whom Conway Hall was later named. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

Price: 424 USD

Location: Cape Coral, Florida

End Time: 2024-11-20T22:20:00.000Z

Shipping Cost: N/A USD

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1800s Ford Madox BROWN SIGNED Engraving "The Migration to Australia" Framed COA1800s Ford Madox BROWN SIGNED Engraving "The Migration to Australia" Framed COA1800s Ford Madox BROWN SIGNED Engraving "The Migration to Australia" Framed COA

Item Specifics

Return shipping will be paid by: Seller

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money back or replacement (buyer's choice)

Return policy details:

Artist: Ford Madox Brown

Image Orientation: Portrait

Signed: Signed

Date of Creation: 1800-1899

Certificate of Authenticity (COA): Yes

Subject: Figures

Size Type/Largest Dimension: Medium (Up to 30in.)

Type: Print

Listed By: Dealer or Reseller

Year of Production: 1870

Features: Framed, Matted, Signed

Production Technique: Engraving

Print Type: Engraving

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