Description: FRAMED FINE ART, structures, beams, figures, screenprint, balance, architecture TITLE: "Edge of Support" Image size measures 12" high x 9" wide Framed size measures 18" high x 15" wide Artwork on archival BFK Rieves Art paper, framed with plexiglass, archival mat, and metal frame. Backed with foam core and wired. This is #2 of an edition of 8. Please note that this piece has been in multiple shows over the years, and has traveled across the U.S. Therefore, the plexiglass may have a scratch or two, and the frame isn't perfect. However, if I were still showing this piece in galleries, I would have no hesitation in displaying it. Please look carefully at the many pictures I have posted; it's hard to photograph because of the reflections on the plexiglass. The back may have had labels affixed and removed; I have included a photo of the back. Flaws identified: Tape mark on bottom of frame, small scuff on plexiglass near signature Original artwork. This is a screenprint (serigraph) I made, incorporating both photography and traditional methods of screenprinting. I used to show extensively in galleries throughout the US, but paused my art career to raise children. Framed, will ship in a box with eBay's calculated shipping based on size and weight from Charlottesville, VA to your address.(Ruler in the photograph is not included in the purchase, it's to show the size.) Printmaking (serigraph) technique: Screen printing, or serigraphy, is a process used in both fine art and commercial applications. Here?s a breakdown of how it typically works: Design Creation: The process starts with a design, which can be anything from simple text to a complex image. For me, this typically included photographs, and it is created on a transparent overlay such as acetate. Preparing the Screen: The screen, usually made of polyester or other fine mesh, is coated with a light-sensitive emulsion. The transparency with the design is placed on top of the screen, and the setup is exposed to bright light. The light hardens the emulsion not covered by the design. Washing Out the Screen: After exposure, the screen is washed with water. The areas of the emulsion that were not exposed to light (where the design blocked the light) wash away, leaving a negative stencil of the image on the mesh. Setup for Printing: The prepared screen is stabilized, sometimes on a printing press, and the paper to be printed is placed under the screen. Applying the Ink: Ink is placed on top of the screen, and a squeegee (a rubber blade) is used to push the ink through the mesh, only in the areas where the emulsion has been washed away. This transfers the ink onto the substrate (paper, fabric, etc.) below in the shape of the original design. Curing: The ink on the printed item is then cured through heat or a chemical process to set the ink, making it permanent. Repeating the Process: For designs that require multiple colors, the process is repeated with separate screens for each color, which must be precisely aligned to ensure the final image is correct. The transparency of the inks help when overlaying the colors to produce additional colors. I enjoyed the technical possibilities of combining drawing marks made by hand and images delineated by light during a photographic process of creating the screen for each color. The point of my work is not to try to make drawings look like photographs or to make photographs look like drawings, but to have a subtle blending of the two. A successful image will effectively use the best qualities of both drawing and photography. I work with the photographic image because of its innate sense of believability. In much of my artwork, I have indicated movement by double-exposing and double-printing. Through the double exposure and double print approach, I would like to suggest what I believe to be the fundamental idea behind the family snapshot-- people, things, and feelings exist for a second or a fraction of a second and then are gone. Time moves too fast to capture, even with a camera. From smoke-free home. See pictures as they are considered part of the description and I have attempted to document any flaws. I mostly sell collectibles on this site, but have listed some of my artwork as well: See my other items!
Price: 39.99 USD
Location: Charlottesville, Virginia
End Time: 2024-11-13T23:54:37.000Z
Shipping Cost: N/A USD
Product Images
Item Specifics
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: Ellen Moore Osborne
Unit of Sale: Single Piece
Signed By: Ellen Moore
Size: Medium
Region of Origin: Louisiana, USA
Framing: Framed
Personalize: No
Year of Production: 1990s
Unit Type: Unit
Item Height: 18 in
Style: Abstract, Americana, Contemporary Art, Experimental, Figurative Art, Illustration Art, Modernism, Postmodernism, Realism, Surrealism
Features: Limited Edition, Numbered
Unit Quantity: 1
Handmade: Yes
Culture: Americana
Item Width: 15 in
Time Period Produced: 1990-1999
Image Orientation: Portrait
Signed: Yes
Period: Contemporary (1970 - 2020)
Title: Edge of Support
Material: Ink, Paper
Certificate of Authenticity (COA): No
Original/Licensed Reprint: Original
Subject: Automobile, Cats, Children & Infants, Cityscapes, Dog, Equestrian, Family, Farming, Figures, Horse, Houses, Landscape, Maps, Monument, Nostalgia, On the Road, Peace, Seasons, States & Counties, Street Art, Trains, Tree, Truck, USA, Women, Working Life
Type: Print
Theme: Americana, Animals, Architecture, Art, Automobilia, Cities & Towns, Community Life, Domestic & Family Life, History, Hobbies & Leisure, Industrial, Inspirational, Nature, People, Social History, Working Life
Production Technique: Screen Printing
Country/Region of Manufacture: United States
