Shepp's Chicago World's Fair Photographed 1893 Columbian Exposition Illustrated

Description: Shepp's World's Fair Photographed Collection of Original Copyrighted Photographs Authorized and Permitted by the Management of the World's Columbian ExpositionSHEPP, James W. and Daniel B. SheppPublished by Globe Bible Publishing Co, Chicago and Philadelphia, 1893 (Stamped with Carroll, Beadle & Mudge) World's Columbian Exposition, also known as the Chicago World's Fair, was a world's fair held in Chicago from May 5 to October 31, 1893, to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492.[1] The centerpiece of the Fair, held in Jackson Park, was a large water pool representing the voyage that Columbus took to the New World. Chicago won the right to host the fair over several competing cities, including New York City, Washington, D.C., and St. Louis. The exposition was an influential social and cultural event and had a profound effect on American architecture, the arts, American industrial optimism, and Chicago's image. The layout of the Chicago Columbian Exposition was predominantly designed by John Wellborn Root, Daniel Burnham, Frederick Law Olmsted, and Charles B. Atwood.[2][3] It was the prototype of what Burnham and his colleagues thought a city should be. It was designed to follow Beaux-Arts principles of design, namely neoclassical architecture principles based on symmetry, balance, and splendor. The color of the material generally used to cover the buildings' façades, white staff, gave the fairgrounds its nickname, the White City. Many prominent architects designed its 14 "great buildings". Artists and musicians were featured in exhibits and many also made depictions and works of art inspired by the exposition. The exposition covered 690 acres (2.8 km2), featuring nearly 200 new but temporary buildings of predominantly neoclassical architecture, canals and lagoons, and people and cultures from 46 countries.[1] More than 27 million people attended the exposition during its six-month run. Its scale and grandeur far exceeded the other world's fairs, and it became a symbol of emerging American exceptionalism, much in the same way that the Great Exhibition became a symbol of the Victorian era United Kingdom. Dedication ceremonies for the fair were held on October 21, 1892, but the fairgrounds were not opened to the public until May 1, 1893. The fair continued until October 30, 1893. In addition to recognizing the 400th anniversary of the discovery of the New World, the fair served to show the world that Chicago had risen from the ashes of the Great Chicago Fire, which had destroyed much of the city in 1871.[1] On October 9, 1893, the day designated as Chicago Day, the fair set a world record for outdoor event attendance, drawing 751,026 people. The debt for the fair was soon paid off with a check for $1.5 million (equivalent to $50.9 million in 2023).[4] Chicago has commemorated the fair with one of the stars on its municipal flag.[5] HistoryPlanning and organization An advertisement for the Exposition, depicting a portrait of Christopher Columbus Thomas Moran – Chicago World's Fair – Brooklyn Museum painting of the Administration Building The regional vote breakdown of the eighth World's Fair location selection ballot in the United States House of RepresentativesMany prominent civic, professional, and commercial leaders from around the United States helped finance, coordinate, and manage the Fair, including Chicago shoe company owner Charles H. Schwab,[6] Chicago railroad and manufacturing magnate John Whitfield Bunn, and Connecticut banking, insurance, and iron products magnate Milo Barnum Richardson, among many others.[7][8] The fair was planned in the early 1890s during the Gilded Age of rapid industrial growth, immigration, and class tension. World's fairs, such as London's 1851 Crystal Palace Exhibition, had been successful in Europe as a way to bring together societies fragmented along class lines. The first American attempt at a world's fair in Philadelphia in 1876 drew crowds, but was a financial failure. Nonetheless, ideas about distinguishing the 400th anniversary of Columbus' landing started in the late 1880s. Civic leaders in St. Louis, New York City, Washington DC, and Chicago expressed interest in hosting a fair to generate profits, boost real estate values, and promote their cities. Congress was called on to decide the location. New York financiers J. P. Morgan, Cornelius Vanderbilt, and William Waldorf Astor, among others, pledged $15 million to finance the fair if Congress awarded it to New York, while Chicagoans Charles T. Yerkes, Marshall Field, Philip Armour, Gustavus Swift, and Cyrus McCormick, Jr., offered to finance a Chicago fair. What finally persuaded Congress was Chicago banker Lyman Gage, who raised several million additional dollars in a 24-hour period, over and above New York's final offer.[9] Chicago representatives not only fought for the world's fair for monetary reasons, but also for reasons of practicality. In a Senate hearing held in January 1890, representative Thomas Barbour Bryan argued that the most important qualities for a world's fair were "abundant supplies of good air and pure water", "ample space, accommodations and transportation for all exhibits and visitors". He argued that New York had too many obstructions, and Chicago would be able to use large amounts of land around the city where there was "not a house to buy and not a rock to blast" and that it would be located so that "the artisan and the farmer and the shopkeeper and the man of humble means" would be able to easily access the fair. Bryan continued to say that the fair was of "vital interest" to the West, and that the West wanted the location to be Chicago. The city spokesmen would continue to stress the essentials of a successful exposition and that only Chicago was fit to fill these exposition requirements.[10] The location of the fair was decided through several rounds of voting by the United States House of Representatives. The first ballot showed Chicago with a large lead over New York, St. Louis and Washington, D.C., but short of a majority. Chicago broke the 154-vote majority threshold on the eighth ballot, receiving 157 votes to New York's 107.[11] The exposition corporation and national exposition commission settled on Jackson Park and an area around it as the fair site. Daniel H. Burnham was selected as director of works, and George R. Davis as director-general. Burnham emphasized architecture and sculpture as central to the fair and assembled the period's top talent to design the buildings and grounds including Frederick Law Olmsted for the grounds.[1] The temporary buildings were designed in an ornate neoclassical style and painted white, resulting in the fair site being referred to as the "White City".[9] The Exposition's offices set up shop in the upper floors of the Rand McNally Building on Adams Street, the world's first all-steel-framed skyscraper. Davis' team organized the exhibits with the help of G. Brown Goode of the Smithsonian. The Midway was inspired by the 1889 Paris Universal Exposition, which included ethnological "villages". [12] Civil rights leaders protested the refusal to include an African American exhibit. Frederick Douglass, Ida B. Wells, Irvine Garland Penn, and Ferdinand Lee Barnet co-authored a pamphlet entitled "The Reason Why the Colored American is not in the World's Columbian Exposition – The Afro-American's Contribution to Columbian Literature" addressing the issue. Wells and Douglass argued, "when it is asked why we are excluded from the World's Columbian Exposition, the answer is Slavery."[13] Ten thousand copies of the pamphlet were circulated in the White City from the Haitian Embassy (where Douglass had been selected as its national representative), and the activists received responses from the delegations of England, Germany, France, Russia, and India.[13] The exhibition did include a limited number of exhibits put on by African Americans, including exhibits by the sculptor Edmonia Lewis, a painting exhibit by scientist George Washington Carver, and a statistical exhibit by Joan Imogen Howard. Black individuals were also featured in white exhibits, such as Nancy Green's portrayal of the character Aunt Jemima for the R. T. Davis Milling Company.[14] Operation An aerial view of the exposition at Jackson Park in a print by F.A. BrockhausThe fair opened in May and ran through October 30, 1893. Forty-six nations participated in the fair, which was the first world's fair to have national pavilions.[15] They constructed exhibits and pavilions and named national "delegates"; for example, Haiti selected Frederick Douglass to be its delegate.[16] The Exposition drew over 27 million visitors.[17] The fair was originally meant to be closed on Sundays, but the Chicago Woman's Club petitioned that it stay open.[18][19] The club felt that if the exposition was closed on Sunday, it would restrict those who could not take off work during the work-week from seeing it.[20] The exposition was located in Jackson Park and on the Midway Plaisance on 630 acres (2.5 km2) in the neighborhoods of South Shore, Jackson Park Highlands, Hyde Park, and Woodlawn. Charles H. Wacker was the director of the fair. The layout of the fairgrounds was created by Frederick Law Olmsted, and the Beaux-Arts architecture of the buildings was under the direction of Daniel Burnham, Director of Works for the fair. Renowned local architect Henry Ives Cobb designed several buildings for the exposition. The director of the American Academy in Rome, Francis Davis Millet, directed the painted mural decorations. Indeed, it was a coming-of-age for the arts and architecture of the "American Renaissance", and it showcased the burgeoning neoclassical and Beaux-Arts styles. Assassination of mayor and end of fair Chicago Mayor Carter Harrison Sr. delivers a speech to crowd during "American Cities Day" at the exposition on October 28, 1893. Harrison would be assassinated later that day. "Columbian Exposition" of 1892 book cover artThe fair ended with the city in shock, as popular mayor Carter Harrison Sr. was assassinated by Patrick Eugene Prendergast two days before the fair's closing.[21] Closing ceremonies were canceled in favor of a public memorial service. Jackson Park was returned to its status as a public park, in much better shape than its original swampy form. The lagoon was reshaped to give it a more natural appearance, except for the straight-line northern end where it still laps up against the steps on the south side of the Palace of Fine Arts/Museum of Science & Industry building. The Midway Plaisance, a park-like boulevard which extends west from Jackson Park, once formed the southern boundary of the University of Chicago, which was being built as the fair was closing (the university has since developed south of the Midway). The university's football team, the Maroons, were the original "Monsters of the Midway." The exposition is mentioned in the university's alma mater: "The City White hath fled the earth, / But where the azure waters lie, / A nobler city hath its birth, / The City Gray that ne'er shall die."[22]

Price: 49.99 USD

Location: Utica, New York

End Time: 2024-11-25T02:05:37.000Z

Shipping Cost: 10 USD