Description: The Ghost and Mrs. Muir by R.A. Dick, Adriana Trigiani Originally published in 1945, this charming novel explores the unexpected romance between young widow Lucy Muir and former sea captain Daniel Gregg, a handsome ghost who haunts her seaside cottage. A VINTAGE MOVIE CLASSICS BOOK.Burdened by debt after her husbands death, Lucy Muir is forced out of her home and insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up discovering a special companionship in the company of the ghost of handsome former sea captain Daniel Gregg. Through the struggles of supporting her children, seeking out romance from the wrong places, and working to publish the captains story as a book, Blood and Swash, Lucy finds a source of constant comfort in her secret relationship with Captain Gregg. This romantic tale explores how love can blossom without boundaries, both in this life and beyond.Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based. FORMAT Paperback LANGUAGE English CONDITION Brand New Author Biography R.A. Dick was the pseudonym of Irish writer Josephine Aimee Campbell Leslie, who was also the author of The Devil and Mrs. Devine. She died in 1979. Promotional Originally published in 1945, this charming novel explores the unexpected romance between young widow Lucy Muir and former sea captain Daniel Gregg, a handsome ghost who haunts her seaside cottage. A VINTAGE MOVIE CLASSICS BOOK. Promotional "Headline" Originally published in 1945, this charming novel explores the unexpected romance between young widow Lucy Muir and former sea captain Daniel Gregg, a handsome ghost who haunts her seaside cottage. A VINTAGE MOVIE CLASSICS BOOK. Excerpt from Book Excerpted from the Foreword They had me at Lucia . Youve heard of pregnant women craving ice cream, burnt bacon, or green olives, but when I was expecting, I craved an old black-and-white movie from 1947 called The Ghost and Mrs. Muir. Lucy Muir (the elegant Gene Tierney) is a young widow in the early 1900s with a daughter (nine-year-old Natalie Wood) she adores, living with her suffocating in-laws, who represent the oppression of the Victorian era. Fed up, Lucy takes her small annual stipend, only child, and faithful maid and leaves. She heads for the coast, where she finds a house called Gull Cottage in the village of Whitecliff-by-the-Sea. Evidently, it has stood vacant because its haunted by a Captain Gregg (played by Rex Harrison) who died there in a house fire. Mr. Harrison was called "Sexy Rexy" in Old Hollywood for good reason. Apparition or not, in this picture, the actor earned every pant from the audience. I fell into this movie like a spoon into a bowl of mint chip. The Ghost and Mrs. Muir is based upon a lean Victorian novel by Josephine Leslie (who published under the name R. A. Dick in 1945 for fear of misogyny leading to no or low sales). The novel is a romantic ghost story, more novella than epic. Philip Dunne, one of the great screenwriters during the Golden Age of Hollywood, adapted the novel for the screen. Mr. Dunne was a master dramatist, keen and spare in his process. He would take apart a novel, pulling threads from it like a lacemaker. Mr. Dunne would hold on to some characters, discard others, restructure timelines, winnow down scenes, remove some altogether, and add new ones to create the most powerful screen narrative from the source material. His dialogue is smart; at the time this was a necessary talent because so were the audiences. His plots build with tension and surprise. (Another of Mr. Dunnes brilliant screenplays is the adaptation of How Green Was My Valley, whereby he took a doorstopper of a novel and told the story in flashbacks from the point of view of the youngest son in a Welsh mining family to splendid results.) Joseph L. Mankiewicz directed with style and sensitivity. But its the screenwriter who makes the movie soar, as Mr. Dunne crafted the script to be as much about the art of writing and creativity as he did romantic love. Settings are always evocative and lush in a Dunne screenplay. The very British Gull Cottage built by Hollywood craftsmen was an ideal movie setting, as it invited the audience into the world of the characters. The cottage was set high on a sunny cliff overlooking the ocean, with mon- key puzzle trees in the yard, a big kitchen, massive windows, and a spacious master bedroom on the second floor with a terrace outfitted with a telescope to watch ships and stars. Okay, it was Malibu, but it looked like England through the lens of the great Charles Lang, who was nominated for the Academy Award for Best Cinematography for his work on this film. I wasnt surprised when I read Mr. Dunnes autobiogra- phy, Take Two, where I learned that Mr. Dunne lived with his wife and daughters high on a cliff on the California coast overlooking the ocean much like Lucy Muir. If the movie felt personal, its because the screenwriter knew how to make the broad scenes intimate and the setting feel like home. Mr. Dunne writes every character with specificity, no matter the size of the role. The crusty comebacks of the servant Martha (played by Edna Best) could have been considered throwaways, but in the hands of the accomplished screenwriter, they add texture and an au courant energy to the story. Every line packs a punch. Consider this exchange as the lady of the house climbs the stairs with her maid. LUCY Youve lived a very useful life, Martha. I have nothing to show for all my years. MARTHA I suppose you call Miss Anna nothing. LUCY Oh heavens, I cant take any credit for her. MARTHA She just happened. I found myself watching the movie once a day through the final weeks of my pregnancy. I didnt think there was anything odd about this until my mother arrived. She decamped to New York City to await the babys arrival with me, spending most afternoons watching the movie with me. At first, she indulged me, but by the time I went into labor, she had had her fill of the ghost, the cottage, and even Mrs. Muir--with one exception. My maternal grandmothers name was Lucia, and I knew that if I had a girl, my daughter would be named for her. Heres an exchange from the movie that made me swoon and my mother cry. CAPTAIN GREGG You can call me Daniel. LUCY Thats very good of you. CAPTAIN GREGG And I shall call you Lucia. LUCY My name is Lucy. CAPTAIN GREGG It doesnt do you justice, my dear. Women named Lucy are always being imposed upon. But Lucia--now theres a name for an Amazon. For a queen. My mother was misty because her Italian immigrant mother had to trade Lucia for the Americanized Lucy when she went to work in a factory in Hoboken. I cried because the deeper meaning of the name is from the Latin, meaning "light" (Muir is Gaelic for "the sea"). It might be all too thematically obvious--crossing oceans, surviving the crossing of a wild and unpredictable sea for a better life, but not to us. Lucy Muir, like so many women before her and since, including my grandmother, had to support their families, to make money to pay the rent. It seemed like a message. When Lucy loses her small stipend, the captain suggests she write his life story as a novel--and offers that Lucy might live on the residuals, thus gaining her financial inde- pendence. Lucy is uncertain, but soon she pushes through her fear, and the captain dictates his memoir Blood and Swash, his life story, loaded with grit, daring, violence, and sex. Lucy types his story with a vengeance, kicking her old Victorian reticence to the curb, replacing it with the self- confidence of a writer who finds her industrious twentieth- century ambition. Lucy engages her subconscious mind to write the novel. Lucy is the writer, but Captain Gregg is her muse. Captain Gregg isnt just a ghost or a collaborator; it turns out that he is Lucys highest dream--the dream that will save her. When Lucy takes the train into London to sell her novel to a publisher, the process is dramatized with authenticity. Mr. Dunne knows firsthand the reality of the working writer who has to sell a manuscript in order to provide for his family. When Lucy falls prey to a parlor snake, fellow author Miles Fairley (played by the predatory George Sanders), we hope she can find earthly happiness. Even Captain Gregg roots for her, telling her that he was nothing but a dream and disappearing from her life. When Mr. Fairley breaks Lucys heart, she wonders if anything she has ever felt or known was real. I wont ruin the end of the movie for you, as it is the best in the genre of romance and fantasy. I will tell you that The Ghost and Mrs. Muir will always hold a special place in our viewing library at home. Our daughter, Lucia, is now eleven years old, and like Anna Muir, she lives in an old house with a mother who writes books. We dont have a telescope or an ocean view or even an apparition, but we love a good story, and I imagine thats why well always return to Gull Cottage and The Ghost and Mrs. Muir. Adriana Trigiani is the New York Times bestselling author of sixteen books, including the blockbuster The Shoemakers Wife. She wrote and directed the big-screen version of her debut novel, Big Stone Gap , shot entirely on location in her hometown, to be released in 2015. She lives with her husband and daughter in Greenwich Village in New York City. Details ISBN0804173486 Author Adriana Trigiani Short Title GHOST & MRS MUIR Pages 192 Language English ISBN-10 0804173486 ISBN-13 9780804173483 Media Book Format Paperback DEWEY FIC Year 2014 Imprint Bantam Books Inc Subtitle Vintage Movie Classics Place of Publication New York Country of Publication United States Publication Date 2014-09-23 AU Release Date 2014-09-23 NZ Release Date 2014-09-23 US Release Date 2014-09-23 UK Release Date 2014-09-23 Edited by Janis Stout Birth 1939 Affiliation both Research Scientists, Batelle Columbus Laboratories, Columbus, Ohio Position both Research Scientists Qualifications PhD Publisher Random House USA Inc Audience General Series A Vintage Movie Classic We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:86180104;
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ISBN: 9780804173483
Book Title: The Ghost and Mrs. Muir: Vintage Movie Classics
Item Height: 203mm
Item Width: 132mm
Author: R. A. Dick
Format: Paperback
Language: English
Topic: Literature, Books
Publisher: Random House USA Inc
Publication Year: 2014
Genre: Horror, Humor
Item Weight: 193g
Number of Pages: 192 Pages